Friday, 30 September 2016

Trying out a time-lapse


Over the summer I borrowed my cousins Go Pro to film some of our holiday that we went on, I found that there was a time-lapse setting on the go pro. Me and Anna looked up what some types of video you can get with the time-lapse, we thought that it would be a really nice intro and outro to have in our music video.

I tested it out one afternoon to see what our of outcome would come out.

Unfortunately, I had it on the wrong setting and for 1 hour it only produced 3 seconds worth of footage, also it missed the whole point of capturing the sunset.



I had it on the setting got take one frame every 30 seconds, which in total didn't give music of a time lapse feel.


Next time we are going to try it out with the setting for every 5 seconds to take a frame, to give us more footage to work with as well as capturing more of the sunset.

Even though it was on the wrong setting we both still liked how the clip moved, with the clouds and the sun going down. Luckily by my house there is a hill where you can see quite far out, me and Anna began to consider whether it would be better to use this setting for the go pro shot. 

Wednesday, 28 September 2016

Mind mapping some first idea's

Here are some first idea's we had when listened to our song and discussed possible ideas that we could do in our video.



We then printed the lyrics and tried to annotate them to see what shots would look good in certain places, also synchronising the lyrics and the visuals on screen. 


(insert lyrics)


What type of music video do we want our to be?

I think at the moment we are edging toward a more conceptual music video, we want our to be really quite abstract with clips that DO make correlation together but not in a story narrative feel. We still 

Want a link to the song and its lyrics so it'll also be a mix of an amplification music video. 


Saturday, 24 September 2016

Audience Research : Before production, forming idea's


From our Questionnaire we had 10 replies, so we created pie charts and graphs of some of the certain questions! 

We hope that the results help us plan more for our video and give us a good idea of what the audience want. 



This was a really good result, as we think that our video is going to be quite jumbled (on purpose) and sketchy, as we believe it goes with the strange, fun and different lyrics!


This is useful to know as we can assess from the 10 people who answered (and were aged between 14-18) that they majority watch pop music videos, with indie being the second most watched. 

A down fall is that we didn't get any older views which could inhibit how much our music video appeals to a larger population

This answer is again useful as it gives us a view of how many people would be interested in watching music videos and the music video we created. 

Friday, 23 September 2016

Audience Research : Questionaire

I decided to write out a questionnaire to be able to find out more about the audience that we may be targeting in our music video as well as some other age groups. A list of 10 questions were requested to be filled out so we could get some more information on the audience and what others opinions are of music videos in general.

These were the questions


Music Video Questionaire 

1. Which age bracket do you fall into? (circle)

10-15                16-20                21-30               31-40              41-50

2. What is your favourite genre of music?




3. Who is your current favourite music artist? 



4. Why?






5. Do you ever watch music videos?




6. What aspects of a music video do you like? And WHY do you like these aspects? 
e.g. shots, transitions, location, pace, meaning, purpose etc.






7. What was the last music video you watched?




8. What do you think is typical to see in a music video?





9. Do you think having a story based music video with sketchy and random shots is interesting to see in a music video?







10. What is your favourite music video?



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Thursday, 22 September 2016

Analysing a music video #3 Nick Cave & Kylie Mingue - Where The Wild Roses Grow

In the video for "where the wild roses grow"  we see that the shots all have a vintage dark sort of feel, possibly foreshadowing the sort of death in the video.

The colours really add a vintage feel to the whole video and make it seem older. There is also a link toward the lyrics and the visuals as almost the whole songs lyrics are shown on screen, the song speaks of a murder type situation by the river and speak often of nature aspects being roses. A motif used throughout is the roses- they're a sign of love and the song does have a love aspect to it.

There are lots of close ups shots of the artist Kylie, which is stated to be a feature of music videos by Andrew Goodwin to draw in audiences as they want to see the artist.

Here Kylie is given a mid close up shot this is also stated to be a feature of the notion of looking and a voyeuristic treatment of the female body by Andrew Goodwin. She is viewed in a dreamy floaty way, showing off her beauty with the contrast of her striking hair colour and the pinks of her lips and flowers. The paleness of her almost draws attention to her lips as they're very prominent.

There are lots of establishing shots showing the scenery and an almost hidden effect making the audience feeling like they're spying on the people in the video. As Steve Neale stated the audience can tell what genre this music video is by the slow tempo, pale colure, and dream like features.

A leo like the UGT theory states the video provides an escape for the audience as it feel like they're watching and possibly interrupting on a deep love story. There is a narrative story throughout which the audience can watch and understand as well through the lyrics, this is stated to be a key feature by Carol Vernallis.



Lyrics

"Where The Wild Roses Grow"
(feat. Kylie Minogue)

They call me The Wild Rose
But my name was Elisa Day
Why they call me it I do not know
For my name was Elisa Day 
From the first day I saw her I knew she was the one
She stared in my eyes and smiled
For her lips were the colour of the roses
That grew down the river, all bloody and wild 
When he knocked on my door and entered the room
My trembling subsided in his sure embrace
He would be my first man, and with a careful hand
He wiped at the tears that ran down my face 
[Chorus]
On the second day I brought her a flower
She was more beautiful than any woman I'd seen
I said, "Do you know where the wild roses grow
So sweet and scarlet and free?" 
On the second day he came with a single red rose
Said: "Will you give me your loss and your sorrow"
I nodded my head, as I lay on the bed
He said, "If I show you the roses, will you follow?" 
[Chorus]
On the third day he took me to the river
He showed me the roses and we kissed
And the last thing I heard was a muttered word
As he knelt (stood smiling) above me with a rock in his fist 
On the last day I took her where the wild roses grow
And she lay on the bank, the wind light as a thief
And I kissed her goodbye, said, "All beauty must die"
And lent down and planted a rose between her teeth 
[Chorus]







Tuesday, 20 September 2016

Analysing a music video #2 Vance Joy - Riptide

Also after watching Vance Joys, 'Riptide', I noticed that it was very emphasising on the relationship between the lyrics and the visual that were being shown. 

This video is very based off of Andrew Goodwin's music principles of lyrics to visuals.


For example 'You're the magician's assistant in their dream' showed a card and some type of trick being made. 

























Again another lyric was 'Lady, running down to the riptide' and showed a lady running then switched to a clip of an actual riptide in the water.










There is a firm correlation between both the lyrics and what we are seeing on screen, this is something that me and Anna want to do with our music video but only in certain lines in our song.

It's very effective in keeping the audience wanting to see what type of shot they've used for the particular lyric!



Friday, 16 September 2016

Analysing a Music Video #1 Lana Del Rey - Summertime sadness


I decided to do an analysis on Lana Del Rey one of my favourite music artists, I'm a huge fan of her music and already know a lot of background info about there and have listened to all her songs (I'm a tad super fan)!

Summertime Sadness is the song I'm picking apart and analysing for inspiration for our own music video.

Lana's known often for a vintage olden style to her videos, I think for this video she used a film camera or a super 8 camera to create the old sketchy look, she likes her videos to be really artistic and show who she is as a person. Having close ups is a really big part of music videos as this is what the audience want to see - Andrew Goodwin.

There are quite a few establishing shots of where they filmed and natural aspects, the whole video is very artistic with the shots. 
The video has very quite slow shots that can be quite dramatic, like this shot where she just falls off the end of the cliff. As Carol stated the shots can be quite extreme flicking from on thing to another. 

The colours seem to be generic throughout the video with their being lots of yellows and reds with lots of light glares throughout.The song is called 'summertime sadness' so it does have a sort of nostalgic and sad feel to it with a lot of looking back shots.

The video does show a type of narrative storyline to it, with two characters and a sort of plot with both of them in. There seems to be something quite sad between them now with the other girl looking , the video would fall into an illustrative video as it seems to be about love, friendship or loss but is unclear. It seems as though it is a nostalgic video/song remembering someone they met in their summer of someone the loved and loved in a certain summer of a year.

Close ups of the artist are very popular with the audience as they want to see them stated by Andrew Goodwin. Lana has a very vintage 1950's/60's style which the audience enjoy to see, with her eye makeup and big beehive hair being a statement among her early work. Lana also tends to make eye contact with the camera creating this connection between her and the audience.